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Cuba Strait

Audiobook
1 of 1 copy available
1 of 1 copy available
Carsten Stroud — the bestselling author of Black Water Transit returns with a scorching cocktail of lies, murder, and espionage.
Rick Broca's had more than his share of hard knocks — which may explain why he's a retired cop at age thirty-three, working as a technical consultant for hollywood producer Jake Siegel. For the last few months, that's meant taking care of Siegel's boat, Cagancho, in the Florida Keys.
But everything changes when Broca rescues a pilot from his downed seaplane during one of Key's notorious storms. Charles Green, injured but alive, is thankful for his good fortune, and Broca takes a liking to him. But is Green who he seems to be?
Questions fill Broca's head as he and Green steer the Cagancho back to Miami. But when they are intercepted by a fishing boat carrying artillery, Rick knows enough to shoot now, and ask questions later. So begins an insidious sequence of events that will ultimately force Rick broca back intoo working for the government, and force U.S. government into an ugly confrontation with Cuba.
With its deadly maze of international espionage and political intrigue, Cuba Strait is a blistering thriller destined to become a breakout bestseller.
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    • AudioFile Magazine
      When Rick Broca, retired cop turned Hollywood consultant, rescues a seaplane pilot in the Florida Keys, he realizes that the man isn't what he seems. That doesn't stop him from launching a rescue when the man disappears. The fallout puts Broca in the middle of a conflict with the Cuban government, and the stakes become personal for both Broca and his new friend. CUBA STRAIGHT is five hours of unapologetic toughness, and Armand Schultz reads it with the swagger appropriate for a world in which fights and gunplay are all in a day's work and an attractive woman is one who knows how to use a handgun. J.A.S. (c) AudioFile 2003, Portland, Maine
    • Publisher's Weekly

      December 16, 2002
      Nonstop action in the volatile waters between Cuba and south Florida makes this sixth novel from the author of Close Pursuit
      a white-knuckle thriller. Spanning about two weeks in 2002, the story begins on a Cuban airfield as an American named Charles Green, who has a mysterious and possibly nefarious connection to Castro, prepares to take off with unknown cargo and an enigmatic passenger. Green's plane goes down near the Florida Keys, where Rick Broca—a former police officer now working as a technical consultant in Hollywood—happens to be taking care of his boss's boat. The resourceful Broca engineers a harrowing underwater rescue of the pilot. All this happens in the first few chapters, and the narrative barely slows down from there. Broca sets out to take Green, who says he's a navy flier, to Miami, but some Cubans want Green—and his cargo—back, and they intercept the boat. Meanwhile, Broca gets even further involved when his boss, a film mogul, is inexplicably captured and held prisoner by Cuban authorities. The whole mess escalates into an international incident, with the U.S. and Cuba on the brink of war and the U.N. making desperate interventions. Stroud lards his narrative with technical and military minutiae à la Tom Clancy, but he's also an excellent storyteller with an ear for tough-guy, wisecracking dialogue. Implausibilities abound, and some may find the jingoism excessive, but Stroud's narrative is so gripping that even skeptical readers will be hard pressed to put the book down. Agent, Barry Karpfinger. (Jan.)Forecast:Clancy fans and anyone who knows that "Gitmo" is military slang for the U.S. base at Guantanamo Bay seem to be Stroud's target readership here. The author's nonfiction book
      Deadly Force is being made into a film starring Johnny Depp, and if it takes off, it should help sales of all of Stroud's novels.

    • AudioFile Magazine
      CUBA STRAIT is a novel that makes the listener yearn for an abridgment. It's long and tortuous, and the story, although purportedly based upon real events, seems thoroughly implausible. Unfortunately, Gary Littman's performance matches the story's mediocrity. At times emotional, at times bland, and often so theatrical that the characters sound neither natural nor realistic, Littman seems unsure how to deliver this tale. The result is a performance that lacks consistency and narrative drive, never sure what it is or how it should sound. While Stroud's fans are incredibly loyal, this book is not likely to be one that will get new readers hooked. D.J.S. (c) AudioFile 2003, Portland, Maine

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  • English

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