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The Gilda Stories

Expanded 25th Anniversary Edition

ebook
1 of 1 copy available
1 of 1 copy available

"The Gilda Stories is groundbreaking not just for the wild lives it portrays, but for how it portrays them—communally, unapologetically, roaming fiercely over space and time."—Emma Donoghue, author of Room

"Jewelle Gomez sees right into the heart. This is a book to give to those you want most to find their own strength."—Dorothy Allison

This remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who "shares the blood" by two women there, Gilda spends the next two hundred years searching for a place to call home. An instant lesbian classic when it was first published in 1991, The Gilda Stories has endured as an auspiciously prescient book in its explorations of blackness, radical ecology, re-definitions of family, and yes, the erotic potential of the vampire story.

Jewelle Gomez is a writer, activist, and the author of many books including Forty-Three Septembers, Don't Explain, The Lipstick Papers, Flamingoes and Bears, and Oral Tradition. The Gilda Stories was the recipient of two Lambda Literary Awards, and was adapted for the stage by the Urban Bush Women theater company in thirteen United States cities.

Alexis Pauline Gumbs was named one of UTNE Reader's 50 Visionaries Transforming the World, a Reproductive Reality Check Shero, a Black Woman Rising nominee, and was awarded one of the first-ever "Too Sexy for 501c3" trophies. She lives in Durham, North Carolina.

More praise for The Gilda Stories:

"Jewelle's big-hearted novel pulls old rhythms out of the earth, the beauty shops and living rooms of black lesbian herstory, expressed by the dazzling vampire Gilda. Her resilience is a testament to black queer women's love, power, and creativity. Brilliant!"—Joan Steinau Lester, author of Black, White, Other

"In sensuous prose, Jewelle Gomez uses the vampire story as a vehicle for a re-telling of American history in which the disenfranchised finally get their say. Her take on queerness, community, and the vampire legend is as radical and relevant as ever."—Michael Nava, author of The City of Palaces

"The Gilda Stories are both classic and timely. Gilda emphasizes the import of tenets at the crux of black feminism while her stories ring with the urgency of problems that desperately need to be resolved in our current moment."—Theri A. Pickens, author of New Body Politics

"The Gilda Stories was ahead of its time when it was first published in 1991, and this anniversary edition reminds us why it's still an important novel. Gomez's characters are rooted in historical reality yet lift seductively out of it, to trouble traditional models of family, identity, and literary genre and imagine for us bold new patterns. A lush, exciting, inspiring read."—Sarah Waters, author of Tipping the Velvet

" . . . its focus on a black lesbian who possesses considerable agency througout the centuries, and its commentary on gender and race, remain significant and powerful."—Publishers Weekly

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*Recommended by Reese Witherspoon's Book Club!

*Voted One of Book Riot's Most Influential Queer Books & Horror Novels of All Time!

Before Buffy, before Twilight, before Octavia Butler's Fledgling, there was The Gilda Stories, Jewelle Gomez's sexy vampire novel.

This remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who "shares the...

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    • Publisher's Weekly

      April 1, 1991
      The central character of this multiracial, feminist, lesbian vampire romance fantasy travels through time and leads multiple lives. Throughout her lives, Gilda is a woman of African descent with strong feminist traits and a sense of loyalty to her friends and family, both mortal and immortal. In her first life, she is a runaway slave in Louisiana in 1850, not yet a vampire, not yet named, who stabs a rapist/bounty hunter in self-defense. Rescued and adopted by Gilda, a vampire who runs a brothel, she soon becomes a vampire herself and adopts Gilda's name. Subsequent lives take Gilda to California in 1890, Missouri in 1921, Massachusetts in 1955, New York in 1981 where she does a stint as a cabaret singer, and into the future in New Hampshire in 2020 and up to the year 2050. Gomez provides an unusual twist to the erotic vampire novel, introducing issues of race and sexual preference, but there is no attempt to address these issues except as fodder for an ultimately uninteresting romance novel. This is Gomez's first novel; she is a poet and the author of Flamingoes and Bears.

    • Kirkus

      February 15, 2016
      This 25th anniversary edition relaunches Gomez's (Don't Explain, 1998, etc.) novel about an assumption-shattering woman who happens to be black, lesbian, and a vampire. When a young black girl escapes from a life of slavery in 1850s Louisiana, she takes refuge in a brothel run by two mysterious women who educate her, become her family, and eventually introduce her to the world of vampirism and eternal life. The novel follows Gilda's experiences as she wrestles with the responsibilities of supernatural power and the challenges of unending life, swooping in on key episodes that each take place in a different time and city. Gilda meets other vampires in the salons of early San Francisco, becomes a beautician in 1950s Boston, works in off-Broadway theater in 1971, and eventually leaps ahead of us in time to a bleak future of economic and environmental collapse. These historic vignettes delight in and take energy from their settings, reveling in period details and costuming. They also place issues of blackness, sexuality, and female empowerment in different times, giving Gilda's story the heft of historical context to play its themes against. The earnest conviction of the novel and its desire to create a black lesbian heroine whose strength and choices redefine assumptions about the vampire myth lend it a certain momentum, but the story falters under the strain of unclear and often graceless writing. Point of view shifts unexpectedly and without clear narrative motive, cutting the reader adrift from the flow of the story and making the characters awkwardly transparent. While the novel presents a compelling imagining of vampirism as a meaningful and spiritual exchange, certain elements of simple exposition, like the rules that govern a vampire's existence, remain jumbled and confusing. An interpretation of the vampire story that celebrates issues of race and sexuality but loses power to its inadequate writing.

      COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      February 15, 2016
      This 25th-anniversary edition of the vampire classic seems almost archaic in a market that’s since been flooded with urban fantasy; however, its focus on a black lesbian who possesses considerable agency throughout the centuries, and its commentary on gender and race, remain significant and powerful. After Gilda, a former slave, is turned into a vampire in the 1850s, she drifts through the subsequent decades, constantly redefining her sense of home and family as she gradually constructs a circle of friends and loved ones. Gilda reinvents herself every so often, always looking for peace and belonging. Her journey takes her from antebellum New Orleans to 1920s Missouri, 1950s Boston, 1970s New York, and on toward the ecologically ravaged future of 2050. Gomez’s narrative voice is distant and often poetic, keeping readers at arm’s length from her characters and lending this story a magical realism feel that those used to noir-influenced urban fantasy may find disconcerting. Its episodic nature provides additional challenges, but the character relationships and nuggets of insight are worth the effort.

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