The Quick

Starred review from March 10, 2014
Though currently enjoying a resurgence in popularity, vampires as we know them are a Victorian invention: Dracula came out in 1897. Debut author Owen sets her seductive book in 1892, in a late-Victorian London with a serious vampire problem. And like her Victorian counterparts, Owen depicts a host of characters: there’s shy, provincial poet James Norbury and his intrepid sister Charlotte; vampire hunters Adeline Swift and Shadwell; a rich American in danger; and Augustus Mould, who researches vampire myth and fact on behalf of the vampires, and who’s as warm and friendly as his name suggests. The vampire world is divided: the elite men of the Aegolius club coexist, not happily, with a ragged band of underclass undead. The book’s pleasures include frequent viewpoint shifts that require readers to figure out how each character fits into the story, new riffs on vampire rituals and language, plus several love affairs, most of which are doomed. And there’s plenty of action—Mould’s research, the clubmen’s recruitment efforts, escalating battles between vampires and vampire hunters and among the vampires, and Charlotte’s efforts to save James. Though the book has an old-fashioned, leisurely pace, which might cause some reader impatience, Owen’s sentence-by-sentence prose is extraordinarily polished—a noteworthy feat for a 500-page debut—and she packs many surprises into her tale, making it a book for readers to lose themselves in.

May 15, 2014
Owen's strong debut infuses the classic Victorian-set horror novel with many original, bloody twists. It begins at a decaying Yorkshire mansion, the childhood home of James Norbury and his sister, Charlotte, and later moves over to London. Here James, a new Oxford grad, plans to hone his poetry-writing skills. Then, suddenly, what seems to be a gothic saga transforms into an intricate, sinister epic involving many unique personalities, immense personal danger, unexpected love, and an unusual pursuit of scientific advancementall centering on the exclusive Aegolius Club. Revealing any more would be a spoiler. With her startling plot, Owen proves a master at anticipating readers' thoughts about future happenings and then crumbling them into dust. Her world building is exceptional, and readers will simultaneously embrace and shrink from the atmosphere's elegant ghastliness, but the novel's structure is unevenit feels overlong in placesand she devotes regrettably little time to her most intriguing characters. It's an impressive feat, nonetheless, one with the potential to attract a cult (and occult) following this summer.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

September 29, 2014
Slater delivers an excellent rendering of Owen’s debut, a tale set in a vampire-populated Victorian England. The vampire world is divided between the elite men of the Aegolius Club and a ragged band of underclass undead. The numerous characters include shy, provincial poet James Norbury and his intrepid sister, Charlotte; vampire hunters Adeline Swift and Shadwell; a rich American in danger; and Augustus Mould, who researches vampire myth and fact on
behalf of the undead and is as warm and friendly as his name suggests. Slater provides a unique sound and pacing to depict the various characters, which is especially handy as the narrative jumps from one perspective to the next—often unexpectedly. His delivery eases these transitions, giving a clear and distinct feel to the different parts of the story. Slater’s performance both entertains
listeners and adds clarity to Owen’s complex world. A Random House hardcover.