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Blood Dazzler

Poems

ebook
1 of 1 copy available
1 of 1 copy available
"These short, fiery verses describe with sorrow and passion the Crescent City just before, during and immediately after Katrina." —Publishers Weekly

In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its "scarlet glare fixed on the trembling crescent," to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television.

Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar:

The cowboy grins through the terrible din,
And in the Ninth, a choking woman wails
Look like this country done left us for dead.

"Smith's poems are captivating and their heartrending subject matter adds to their allure. She is observant and precise; she captures a moment in our history that many will never forget, but also a moment that just as many will never begin to know. Blood Dazzler makes available to its readers a chilling time in America and crystallizes the nation's fears and weaknesses." —Coldfront
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    • Publisher's Weekly

      June 16, 2008
      Two new books of poetry show us Katrina-devastated New Orleans from the inside.
      Blood Dazzler
      Patricia Smith
      . Coffee House
      (Consortium, dist.), $16 paper (90p) ISBN 978-1-56689-218-6

      Simultaneously accessible and daring, these short, fiery verses describe with sorrow and passion the Crescent City just before, during and immediately after Katrina. They describe it from startling points of view—one series of poems takes the vantage point of “Luther B,” a hardy abandoned dog. Another set speaks for the hurricane itself: “every woman begins as weather,” Katrina warns, “sips slow thunder, knows her hips.” Other speakers include the spirit of Voodoo, a nursing home patient, a rapist, George W. Bush and a drag queen whose good humor helps her survive: “This damned trod spells ruin for her party pumps.” Known now as a poet of both the page and stage, Smith (Teahouse of the Almighty
      ) was present at the creation of the poetry slam, in 1980s Chicago. Her command of the spoken voice gives her work both speed and pathos. She benefits, too, from her range of forms: rhymed sonnet, sestina, alphabet poem, long- and short-lined, and fragmentary free verse. This book will stand out among literary records of Katrina's devastation.

    • Library Journal

      April 15, 2009
      A multiple-award-winning poet, Smith comes through with a remarkable work: a literally blow-by-blow account of Katrina as it swept into New Orleans. There's water, chill, fear, anger, and death here, and even the hurricane itself personified: "I see/ what this language does/ and taste/ soil on my tongue/ and feel/ brick splintering spine/ and hear/ them/ and want it/ all."

      Copyright 2009 Library Journal, LLC Used with permission.

    • Booklist

      September 15, 2008
      In her fifth collection, Smith, a poetry-slam champion and and recipient of the Hurston/Wright Legacy Award, presentstoweringtestament to the tragedy ofNew Orleans before, during, and after Katrina. Herear for voice and gift for persona poems make fora complex, colloquial, thought-provoking, and nearlyminute-to-minute account of thecatastrophethat captures the power of nature and thefailure ofleadership.Smiths observations are painstakingly revealing and unabashedly critical, especially juxtaposed against the beauty of herterse free verse and formal sestina andrhymed sonnets. FollowingTeahouse of the Almighty (2006), this accomplished work reaffirms her position as one of Americans strongest and most clarion poetic voices. As Smith writes of Katrina, so to it might be said of thisbook, Never has there been / a wind like this. Its throaty / howl has memorized / my name. And it calls, and it / calls, and lamb to ax, I come.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)

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