September 17, 2012
Money is no object for sisters Alex and Thea Parrott after their divorced mother marries Arthur, “the McDaddy of Sugar Daddies.” However, where they end up isn’t where they want to be. The internship at a fashion magazine that Arthur finagles for high school senior Alex ends up being a disaster. When she returns home humiliated and too anxious to eat, socialize, or leave the house, Thea, a junior, thinks it may be her turn to steal the spotlight, as well as Alex’s pot-dealing boyfriend, Joshua. Thea discovers too late that making up stories isn’t the best way to win friends. Spanning one frantic, life-changing weekend as the sisters prepare to throw a party, Griffin’s (Tighter) hard-edged novel offers an in-depth examination of two teens coming to painful terms with what they need, as well as what they’ve lost by having extreme wealth dumped in their laps. If the “poor little rich girl” theme is somewhat well-worn, Griffin shows her customary skill at honing in on her protagonists’ perceptions, internal conflicts, and uncomfortable relationships. Ages 14–up. Agent: Charlotte Sheedy Literary Agency.
Starred review from September 1, 2012
Two sisters painfully discover that money can't buy happiness in this provocative family drama. When Alex and Thea's struggling single mom marries a Greenwich, Conn., millionaire, the girls' responses to their elevated lifestyle demonstrate the differences in their personalities. Older sister Alex tries to ignore the new wealth by restricting her enjoyment of it, including the food she allows in her body. Thea, though, sees the money as an opportunity to reinvent herself, even if it means telling elaborate lies to gain entrance to the in crowd. Both girls miss the bond they shared with their mother during the lean times, but that doesn't keep them from throwing a party at the mansion they call Camelot while the 'rents are away. Their self-destructive behaviors come to a head during the bash, and one finds unexpected redemption, while the other discovers just how low she will sink to get her sister's attention. National Book Award finalist Griffin repeatedly nails the details of this tony community and its 1-percent residents with perfectly turned phrases that are just right. A high-end handbag is "plopped like an overfed tabby cat on the seat," while a financially struggling classmate owns a wallet "as ancient as the Dead Sea Scrolls and always flat as a pita besides." A sumptuously written examination of sibling rivalry and socioeconomic class. (Fiction. 14 & up)
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Starred review from October 1, 2012
Gr 9 Up-Things were not great when their parents divorced, but at least Alex and Thea had each other. Then their mother met Arthur, and now they are even losing the strong sisterly bond they once shared. Sudden, extreme wealth has changed everything, including their self-perceptions. Beautiful, socially at ease, and effortlessly popular Alex is now starving herself and has developed a stifling phobia of going out in public. Meanwhile, Thea, once a determined academic, is doggedly pursuing the social status formerly enjoyed by her older sister. She is transforming her gift for creative writing into orally spun lies about her family and classmates to win the attention of her sister's friends and boyfriend. Both girls are aware of how their lives are spinning out of control, but they are too absorbed in their own problems to help each other. With their mother and stepdad away for the weekend, Thea plans the party of the year, hoping to finally capture her place in the spotlight, but the event ultimately winds up pitting the sisters against each other. Telling the story through their alternating voices, Griffin drives her plot through the intricate development of her two main characters. While the negative side of wealth is a primary theme, it is by no means the only issue. Loss of bodily control, anorexia, social phobia, sibling rivalry, and compulsive lying are all explored as each girl's story unfolds. An excellent choice for teen girls' discussion groups.-Cary Frostick, Mary Riley Styles Public Library, Falls Church, VA
Copyright 2012 School Library Journal, LLC Used with permission.
Starred review from September 15, 2012
Grades 10-1 *Starred Review* Sisters Alex and Thea Parrott are damaged girls. From the outside, it seems as if their lives have taken an upturn when their mother marries a generous and uberwealthy man, who houses them in a mansion. But now their mother is gone most of the time, Alex is wasting away physically and emotionally, and Thea takes to spinning reckless, outrageous lies. The antagonism between the once-close sisters is immediately apparent to readers as alternating chapters switch between Alex, the beautiful one, and Thea, the younger but smarter one. Alex's chapters are narrated in third person, emphasizing how distant she has become, even to herself. Thea's intense first-person narration reveals a girl ready to explode with her desperate need for attention. Griffin also fashions distinct secondary characters who radiate with nuanced tension, such as Alex's rakish boyfriend, Joshua, who becomes Thea's chosen conquest. The book is so raw that at times it's difficult to readyet it's impossible to put it down. Readers who are just discovering National Book Award finalist Griffin will want to read more of her books (The Julian Game, 2010; Tighter, 2011), which frequently explore frightening matters of the human psyche.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)
January 1, 2013
Sisters Alex and Thea struggle to manage new identities in the wake of their mother's remarriage to a wealthy man, and their new life of privilege brings out the worst in both of them. This is a dark, gritty story of class disparity, sibling rivalry, and the limitations of familial loyalty; Griffin's stark prose will leave readers feeling deliciously unsettled.
(Copyright 2013 by The Horn Book, Incorporated, Boston. All rights reserved.)